ONE WEEK TO GO, I REPEAT, THERE IS JUST ONE WEEK TO GO. I’m obviously still spending my time listing things I want, rather than buying things for people that are actually expecting presents. If I can’t get all my Christmas shopping done in an hour this Saturday, then it’s not happening. Sorry guys, IOU’s are still a thing, right?
Marc by Marc (by Marc, by Marc, by Marc..) leather backpack, Mr Porter
I’ve always got time for a backpack. I got into ~handbags~ fairly late at 18, prior to this I had a very organised “If I can’t carry it, it stays home”/”stuff everything in my boyfriend’s pockets” approach to life. Since I’ve been cycling I’ve come to re-appreciate the need for some hands-free bag action, and this spicy leather bad-boy is large enough to use for a weekend without looking like a body-bag.
Drawn In: A Peek into the Inspiring Sketchbooks of 44 Fine Artists, Illustrators, Graphic Designers, and Cartoonists, Amazon
As a very ~artistic~ child, I’m still very much into ~the arts~, even if the extent of my creativity lately has been making covers for my mother’s mixtapes (which did go down a storm, just saying). Anyway, I get a real kick out of other people’s sketchbooks/notebooks etc so this is pretty much perfect.
Tartan shorts, Topshop
Tartan has got my office in a choke-hold. At least six people on my floor have the somewhat ubiquitous Zara grey check scarf, and I don’t think there’s been a day over the past few weeks where I’ve been in a meeting without at least one Rupert the Bear doppleganger. That said, ever the shorts fan, I’m really into these. Tonally they’re not overly aggressive and as they’re shorts (ie, there’s not a lot to them) they’re not going to dominate the outfit as a whole.
Fake pony clutch, ASOS
I’d like a real pony, or a Givenchy ponyskin Pandora, but failing both of these, this clutch isn’t a bad third choice. I’m finally at that stage of life (23) where I feel like I can actually be responsible enough to own a bag without straps. And at £35 I’m not going to cry TOO hard if this trust in myself is misplaced and I lose another possession to the great God of nightbus.
Commes des Garcons wallet, Dover Street Market
I hate wallets. I hate carrying cash. I hate never being able to find anything in my bag more, though. Commes wallets come in roughly 677 varieties, but this one is my favourite. I love the unisex shape, the understated detailing of the stitching and it’s obviously in my favourite colour.
With London Fashion Week and his SS14 collection just around the corner, here’s an interview I did with American menswear designer Shaun Samson last season for Platinum Love magazine.
The mens shows got off to a good start, with a really strong season from the new major players of London fashion – standouts included variations on a theme, androgynous menswear and experimental cuts from JW Anderson, pleasing prints from LCM babies Agi & Sam and heavy sports influences from Christopher Shannon. Paris really stuck with the enduring prints theme, Frankie Morello went for burger and sushi prints, Moschino showed lightning bolts amidst jewel-toned stripes and nerdy jacket and cardigan combinations, Paris brought the expected level of cool minimalism, Marni and Tillman Lauterbach were particular favourites.
Milan was…Milan…Dsquared2 was the usual display of maximum homoeroticism and minimal actual clothing, Etro took Mexican inspiration to rather a literal level, sending a heavily moustasched model down the catwalk in a whacking great sombrero. Probs not one we’re going to see on many street style blogs, but always a good go-to for fancy dress parties.
Overall, SS14 is looking good for menswear, lots of minimalism, androgyny, ~WaCkY pRiNtS~, with some added louche looks from Haider Ackermann’s quilted smoking jackets in a luxe pallette of wines and navys to Dries Van Noten’s muted tonal florals.
Surprising highlight collections for me were Iceberg and Opening Ceremony, both really clean and sharp, centered in the focus colours for next season – navys, blacks and creams/whites. I wasn’t sold on Givenchy’s prints this season, though for me the religious iconography was a real winner so it would’ve been hard to top anyway. I was surprised to like Louis Vuitton, usually not a collection I pay much notice to, but I really liked the Talented Mr Ripley vibes.
Obvs, there were some absolute car crashes. No surprises for guessing who I’m coming for here. Hedi Slimane continues his one-man destruction of Yves Saint Laurent, sorry, Soft Grunge Laurent, sorry, Saint Laurent Paris, every season managing to churn out more and more overly commercial, cheap sartorial high fives to dated pop culture references. This season the vibe is ‘Glam Rock by George at Asda’. (oh and obviously the standard set of models who wouldn’t look out of place in an in-patient facility. Good work, you absolute tit)
Moving on from blood-pressure raising train wrecks, here’s a look at recurrent themes for SS14.
ANDROGYNOUS / LADY PARTS
BLUE IS THE COLOUR
ALL WHITE EVERYTHING
“FLORALS FOR SPRING? GROUNDBREAKING”
KHAKIS/ NUDES/BEIGE/WHALE TUSK/OLD BISCUIT