In general I’m always a bit dubious about models as stylistic inspiration as I can never really trust if it’s their wardrobe I want or their crazy-good genes (this does not include mentalist Hanne Gaby, who as I’ve said before, has an amazing wardrobe but does look a lot like a dinosaur), but #unpopularopinion – I ‘m not actually an Aldridge #stan at all so I can let myself off on this one.
As with all of my WCIBY crushes, Ruby’s style is mostly monochromatic, androgynous and built around staple basics. ALL GD THINGS. Another reason I’m a big fan of her street style is that despite being 8ft 3ins tall and weighing the same as a bag of flour, her sartorial choices aren’t things that can only be carried off by genetic freaks, but are universally wearable (apart from maybe the microscooter).
My latest sartorial girl crush is Carlotta Oddi, major babe and assistant to tits-mental Vogue Nippon editor Anna della Russo. Stylistically, (and for her sake, I hope mentally, have you seen the ‘Fashion Shower’ video?) the polar opposite of AdR, Carlotta’s outfits encompass all of my favourite things – heavy menswear and streetwear influences, prints, I also love that unlike a lot of high-profile streetstyle favourites, she’s loyal to a piece and not precious about piece repetition – for example, her Opening Ceremony varsity, and Balenciaga leather biker, which when I was considering buying it, upon trying it on made me look more like a badly wrapped barrel, SAD TIMES.
It felt like forever since I punched myself in the face about not being someone else, and then I remembered amazing Essix goff Hannah Marshall.
For the uninitiated, H-Marsh is a Colchester graduated British womenswear designer known for bringing the sexy back to constructed looks, a fondness for leather and her predication for black, black and more black.
Showing since 2007, celebrity fans include Erin O’Connor, Naomi Campbell, Florence Welch, and
Stephen Fry Romy off the xx, amongst others. As you would imagine, her personal style is a mirror of her designs – constructed layering, and all black everything. I mostly wear black, there’s just something about a full black look that feels really clean, but one thing I’m always a bit conscious of is looking like some sort of Bedouin encampment when you can’t distinguish between layers at a distance the way you can if you’re wearing colour. Hannah goes to show that all black looks don’t have to swamp, and also that you don’t have to be 8 ft 9 and having a good time for them to look good. Also, that fringe! This is the kind of fringe I always ask for, yet never get. All I want in life is to not come out of the hairdressers looking like Lisa from Girl bloody Uninterrupted, but apparently this is unattainable. I swear they all just take advantage of the fact I don’t have my glasses on. ANYWAY, NICE CLOTHES AND THAT.
Here’s a rundown of this season’s 10 most booked catwalkers for AW13. Unsurprisingly, they’re all white, and it would seem that ‘blank canvas’ was very much the casting trend. A good turn for British models, with one girl in the top five (hay Sam), and also an amazing season for two of my favourite girls, Tilda Lindstam and Kel Markey. Tilda seems to be getting a fair bit of flak for taking the top spot, accusations of “basicness” are being thrown around (which seems ridiculous as compared to some of the others in the top 10 she’s basically Giselle), but in terms of fitting in with the theme this season she’s ‘plain’ enough to be versatile in any look, but she’s not a total no-mark, there’s definitely something special about her. She’s not classically beautiful, but she’s also not scary-quirky and there is definitely a place in fashion for “pretty” rather than DROP DEAD STUNNING girls. Look at the difference between Kate Moss compared to Naomi Campbell, for example, you can’t say they’re not both iconic looking, but for totally different reasons. It’ll be interesting to see how many campaigns the top 10 get, I’m really hoping Julia Nobis gets a few, I love an androgynous model and the fact that she’s not androgynous in an overtly sexual way (e.g Andrej Pejic, Erika Linder et al) could be really interesting for campaigns. Anyway, here’s the top 10 bitches cashing cheques this season.
10. Juliana Schurig, American, (DNA, Premier, Elite Milan & Paris) – 60 shows total, opened 2, closed 0
9. Caroline Brasch Nielsen, Danish, (Marilyn, Storm, Elite Milan & Paris) – 60, O4, C2
8. Julia Frauche, French, (Next WW) – 62, O1, C
7. Julia Nobis , Australian, (DNA, Premer, Elite Milan & Paris) – 62, O3, C7
Bomber jackets are absolutely everywhere. I’m a big fan, I love a unisex trend in general and I always find it difficult to buy a jacket that is roomy enough to wear more than just a t-shirt underneath without having to size up. No surprises, but I’m a big fan of the Givenchy bomber jacket selection:
New Look black quilted, Jeremy Scott, Rick Owens, Cheap Monday, Alexander Wang, New Look grey sleeve, Camilla and Marc, Asos tiger stripe, Blood Brother, Dorothy Perkins, Topshop blue with black sleeve, Maje, Haider Ackermann, Rick Owens grey pattern, Asos palm tree, Topshop red with black sleeve, Topman black leather sleeve, Topman checked.
I’m currently sat at my desk at work trying not to be sick all over myself and others. I’m convinced these are my final days. As I approach death, the light in my eyes dimming and my heart grudgingly sputtering along , here’s a load of reet nice things that would make me feel 100% better.
I had a week off work, and somehow this turned into a week off from life in general, hence no posts. Anyway, the important issue here is Rad Hourani’s new unisex collection. I’m a big fan of Hourani in general, you know me, I’ve yet to meet a black androgynous look I didn’t like, but this new collection is a little bit special. The new collection, Unisex Couture, is only his ninth since launching in 2007, and features everything that is good in the world – a no-colour colour palette of black, white and grey, origami cuts and structured layering. Mmm, child. There’s a brilliant line on his website – “NO GENDER, NO SEASON, NO RULES”, which is also my attitude to my sex life. Bdum, tish.
“I STARTED IMAGINING CLOTHES THE SAME WAY I STARTED CREATING IMAGES: WITH A SENSE OF CURIOSITY AND INNOCENCE DRIVEN BY MY NO-BACKGROUND BACKGROUND. NO SCHOOL. NO TEACHERS. NO TELLY. NO BOUNDARIES. NO FORMATTING. I LIKE THE IDEA OF A WORLD THAT WE COULD LIVE AND SHAPE BY OURSELVES, ONLY BY OBSERVING. EACH OUR OWN. MY CLOTHES HAVE ERUPTED FROM THIS WORLD OF MINE. THEY ARE ASEXUAL, ASEASONAL, THEY COME FROM NO PLACE, NO TIME, NO TRADITION, YET THEY COULD BE HOME ANYWHERE, ANYTIME. THEY EXUDE A SENSE OF DISCREET CHIC, THE ESSENCE OF TIMELESS STYLE, DRAWN ON A MONOCHROMATIC AND GRAPHICAL CANVAS. PALETTE OF BLACKS AND SHADES OF TIMELESS COLORS. SOPHISTICATED UNISEX MODERN CLASSICS FOR ANTI-CONFORMIST INDIVIDUALS.” – RAD HOURANI