Fred Perry have a reputation for great collaborations – notably their long standing line with Raf Simons and last year’s team-up with Dover Street Market to mark their 60th anniversary, which saw 20 designers including Simone Rocha, woodwood and Colette create their own interpretation of the classic Fred Perry polo.
Continuing to offer a fun (without being obnoxious) twists on classic styles, Fred Perry have just launched a line of polos featuring cult 80s gaming fave PacMan, (I promised myself a long time ago if I ever used the phrase ‘geek chic’ I’d hang myself) through ASOS. Ranging from £65 to £75, you can get them HERE.
The mens shows got off to a good start, with a really strong season from the new major players of London fashion – standouts included variations on a theme, androgynous menswear and experimental cuts from JW Anderson, pleasing prints from LCM babies Agi & Sam and heavy sports influences from Christopher Shannon. Paris really stuck with the enduring prints theme, Frankie Morello went for burger and sushi prints, Moschino showed lightning bolts amidst jewel-toned stripes and nerdy jacket and cardigan combinations, Paris brought the expected level of cool minimalism, Marni and Tillman Lauterbach were particular favourites.
Milan was…Milan…Dsquared2 was the usual display of maximum homoeroticism and minimal actual clothing, Etro took Mexican inspiration to rather a literal level, sending a heavily moustasched model down the catwalk in a whacking great sombrero. Probs not one we’re going to see on many street style blogs, but always a good go-to for fancy dress parties.
Overall, SS14 is looking good for menswear, lots of minimalism, androgyny, ~WaCkY pRiNtS~, with some added louche looks from Haider Ackermann’s quilted smoking jackets in a luxe pallette of wines and navys to Dries Van Noten’s muted tonal florals.
Surprising highlight collections for me were Iceberg and Opening Ceremony, both really clean and sharp, centered in the focus colours for next season – navys, blacks and creams/whites. I wasn’t sold on Givenchy’s prints this season, though for me the religious iconography was a real winner so it would’ve been hard to top anyway. I was surprised to like Louis Vuitton, usually not a collection I pay much notice to, but I really liked the Talented Mr Ripley vibes.
Obvs, there were some absolute car crashes. No surprises for guessing who I’m coming for here. Hedi Slimane continues his one-man destruction of Yves Saint Laurent, sorry, Soft Grunge Laurent, sorry, Saint Laurent Paris, every season managing to churn out more and more overly commercial, cheap sartorial high fives to dated pop culture references. This season the vibe is ‘Glam Rock by George at Asda’. (oh and obviously the standard set of models who wouldn’t look out of place in an in-patient facility. Good work, you absolute tit)
Moving on from blood-pressure raising train wrecks, here’s a look at recurrent themes for SS14.
ANDROGYNOUS / LADY PARTS
BLUE IS THE COLOUR
ALL WHITE EVERYTHING
“FLORALS FOR SPRING? GROUNDBREAKING”
KHAKIS/ NUDES/BEIGE/WHALE TUSK/OLD BISCUIT
The sales are what God created on the 8th day, to make the horrible equation of ‘wanting + buying = 20p noodles for the rest of the month’ easier on us all, probably after spending his rest day looking at clothes he couldn’t afford. The smug thrill of getting something with a major fist-bump discount is an emotion so amazing that it can only be topped by telling people about it. LN-CC has long been a favourite of mine for menswear and is always my first go-to during the sales, particularly as it means I can shop from the comfort of my freezing office rather than dragging my sweating, harrassed, afro’d corpse around actual shops. Here’s my pick of the best of the current sale stock:
I’ve been really heinous at this blogging lark lately, partly because #realliferesponsibility is fly-kicking me in the head slightly but also partly for EXCITING (and somewhat unbelievable) REASONS!1!!1 which I can hopefully post about later this week. Anyway, here are some nicely dressed boycats in the meantime.
Bomber jackets are absolutely everywhere. I’m a big fan, I love a unisex trend in general and I always find it difficult to buy a jacket that is roomy enough to wear more than just a t-shirt underneath without having to size up. No surprises, but I’m a big fan of the Givenchy bomber jacket selection:
New Look black quilted, Jeremy Scott, Rick Owens, Cheap Monday, Alexander Wang, New Look grey sleeve, Camilla and Marc, Asos tiger stripe, Blood Brother, Dorothy Perkins, Topshop blue with black sleeve, Maje, Haider Ackermann, Rick Owens grey pattern, Asos palm tree, Topshop red with black sleeve, Topman black leather sleeve, Topman checked.
I’m currently sat at my desk at work trying not to be sick all over myself and others. I’m convinced these are my final days. As I approach death, the light in my eyes dimming and my heart grudgingly sputtering along , here’s a load of reet nice things that would make me feel 100% better.
I had a week off work, and somehow this turned into a week off from life in general, hence no posts. Anyway, the important issue here is Rad Hourani’s new unisex collection. I’m a big fan of Hourani in general, you know me, I’ve yet to meet a black androgynous look I didn’t like, but this new collection is a little bit special. The new collection, Unisex Couture, is only his ninth since launching in 2007, and features everything that is good in the world – a no-colour colour palette of black, white and grey, origami cuts and structured layering. Mmm, child. There’s a brilliant line on his website – “NO GENDER, NO SEASON, NO RULES”, which is also my attitude to my sex life. Bdum, tish.
“I STARTED IMAGINING CLOTHES THE SAME WAY I STARTED CREATING IMAGES: WITH A SENSE OF CURIOSITY AND INNOCENCE DRIVEN BY MY NO-BACKGROUND BACKGROUND. NO SCHOOL. NO TEACHERS. NO TELLY. NO BOUNDARIES. NO FORMATTING. I LIKE THE IDEA OF A WORLD THAT WE COULD LIVE AND SHAPE BY OURSELVES, ONLY BY OBSERVING. EACH OUR OWN. MY CLOTHES HAVE ERUPTED FROM THIS WORLD OF MINE. THEY ARE ASEXUAL, ASEASONAL, THEY COME FROM NO PLACE, NO TIME, NO TRADITION, YET THEY COULD BE HOME ANYWHERE, ANYTIME. THEY EXUDE A SENSE OF DISCREET CHIC, THE ESSENCE OF TIMELESS STYLE, DRAWN ON A MONOCHROMATIC AND GRAPHICAL CANVAS. PALETTE OF BLACKS AND SHADES OF TIMELESS COLORS. SOPHISTICATED UNISEX MODERN CLASSICS FOR ANTI-CONFORMIST INDIVIDUALS.” – RAD HOURANI